Highly acclaimed for The End of Eddy, Edouard Louis in Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. “Racism,” he quotes Ruth Gilmore, “is the exposure of certain groups to premature death.” And Louis goes to visit the ugly gray town of his child...(展开全部)

Agatha Christie and Arthur Conan Doyle meet Knives Out and The Thursday Murder Club in this fiendishly clever blend of classic and modern murder mystery. I was dreading the Cunningham family reunion even before the first murder. Before the storm stranded us at the mountain resort, snow and bodies piling up. The thing is, us Cunninghams don’t really get along. We’ve only got one...(展开全部)

Agatha Christie and Arthur Conan Doyle meet Knives Out and The Thursday Murder Club in this fiendishly clever blend of classic and modern murder mystery. I was dreading the Cunningham family reunion even before the first murder. Before the storm stranded us at the mountain resort, snow and bodies piling up. The thing is, us Cunninghams don’t really get along. We’ve only got one...(展开全部)

'By the pricking of my thumbs Something wicked this way comes.' MACBETH When Tommy and Tuppence visit an elderly aunt in her gothic nursing home, they think nothing of her mistrust of the doctors; after all Ada is a very difficult old lady. But when Mrs Lockett mentions a poisoned mushroom stew and Mrs Lancaster talks about 'something behind the fireplace', Tommy and Tuppence f...(展开全部)

One of seven children of a high-ranking government official, Loung Ung lived a privileged life in the Cambodian capital of Phnom Penh until the age of five. Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to la...(展开全部)

作者介绍 【英】大卫·霍克尼，或许是我们这个时代ZUI被关注、ZUI受欢迎的艺术家之一。他的作品几乎涵盖一切媒介，从油画、素描、舞台设计直到摄影和版画印刷。而且他在这些媒介上都有所拓展。他是畅销著作《隐秘的知识——重新发现西方绘画大师的失传技艺》的作者，该书同样由浙江人民美术出版社引进、出版。 译者介绍 万木春，1972年出生于安徽，现为中国美术学院副教授、博士生导师，《新美术》主编。主要从事绘画史和绘画理论的教学研究了，著有《味水轩里的闲居者：万历末年嘉兴的书画世界》。他是大卫·霍克尼书系的长期译者，译笔明白晓畅，译有《隐秘的知识——重新发现西方绘画大师的失传技艺》《图画史——从洞穴石壁到电脑屏幕》《我的观看之道》等。

With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young gi...(展开全部)

简介：【瑞依，此刻站在你面前的是谁】【……扎克……】【没错，才不是什么神】放下手中的镰刀，把它从女孩身旁移开，俯身站在女孩身前【瑞依！！！向我乞求，你如果想死，就发誓只会被我杀死……向你自己，并向我发誓】满身鲜血男孩压住金发的女孩，用那双异色的眼睛，紧紧锁住女孩的目光。【我发誓……我向扎克发誓】恢复神采的眼睛流出大滴大滴的泪水，女孩用双手的袖子交叉捂在脸上不想让自己哭的如此失态，可情绪的失控让泪水不可控的流淌。男孩也松了一口气，抬头看着那虚伪的月光。【唉——我也向你发誓】——————————————————————————看似语无伦次，实则慌的一逼【真虚】严谨，悲伤，虐，都不适合...写书，看书嘛...开心点开心最重要

With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young gi...(展开全部)